April Smith - Author of FBI Special Agent Ana Grey Series of Thrillers

It was winter and I was swimming laps in the rain.

I have found it a privilege to swim outside in the rain, a perk you get in return for living in Los Angeles that not many appreciate. You have to like being extremely wet, and enjoy the feeling of smug superiority because the canyon air is forty degrees and you're in a relatively warm bath. You have to appreciate the subtle play of vanished circles on the water and the dance of droplets off your goggles, blurring the shapes of redtail hawks resting on a telephone pole and deer moving close to the houses.

I did not know about the girl.

I was doing the backstroke, looking up at the clouds, trying not to get pushed into the lane lines by the county lifeguard who was working out beside me, with the tapered legs and the chest of a manatee. He was gray-haired, with a stroke so smooth it never seemed to break water, as if propelled by some internal muscular power known only to yogis. In fact the lifeguard was a kind of spiritual seeker and would speak of "the breath" as if it were a living thing.

My personal meditation that day was on a briefing with the senior superintendent from the Hong Kong Police Force. It would be a lunch with twenty other folks, a long ungainly table in Distefano's, everyone trying to look spiffy and smart--a total waste of time when I had to get my files in order for an upcoming ninety-day file review, an assessment of open cases as pleasant as a cross between a migraine headache and spring cleaning. When you work the kidnap squad you find a lot of cases--mostly missing children--stay open forever.

When the red hand on the workout clock brushed 6:55 a.m., I hauled out of the water and hightailed across the frigid pool deck, raindrops popping off my silicone cap. Checking the pager hooked inside the swim bag, I found it was blinking: Code 3-PCH-AB.

Emergency.

I stood alone in the freezing cinder-block locker room, dripping freely and staring at the numbers with a secret smile. It was a message in police code from "AB" (Detective Andrew Berringer), which usually meant not a life-and-death emergency but an emergency of the gonads, which I could feel responding as I peeled off the cold clinging bathing suit and headed for the open shower.

The two other women who had been swimming in the rain (both lawyers) came hurrying in, shivery and goose-bumped, absorbed in chatter about book clubs, children, different types of olives, someone's half-demolished kitchen, as a wild mix of botanicals--mint, eucalyptus, citrus, rose--swirled in the steamy vapor and they lathered unabashedly and shaved and loofahed, while I stood under the hot pounding spray with head bowed in thanks because of this sudden unexpected gift of seeing Andrew, even more delicious if it were to take place, let's say, behind the locked rest room door in Back on the Beach, a café down on Pacific Coast Highway.

Where, I thought, the emergency was.

Good thing I had those ten extra minutes.

In the parking lot of the YMCA facility I passed the lifeguard, who carried nothing but a small satchel while my shoulder was crippled under the weight of a swim bag loaded with fins, towels, hair dryer and an enormous makeup kit. I was wearing a slim black pants suit and heels because of the luncheon with the superintendent from Hong Kong. The lifeguard wore nothing but a T-shirt and shorts.

"Come under my umbrella."

He shook his head. "How'd you like your workout, Miss FBI-FYI?"

"Good."

"Make sure you get enough air." He inflated his lungs. "Air," he said.

"Air," I agreed, and got into my car to the silent buzz of the Nextel cell phone on my belt.

"Ana?" It was my supervisor, Rick Harding. "Where have you been?"

Lost in an erotic delirium, I had forgotten to check the Nextel also. Two missed messages.

"Underwater. Sorry."

"Tell me about it, the freeway was flooded, took an hour and a half to get in. We've got a kidnapping on the Westside. The police department requested our assistance. You're next up."

Next in line to be case agent. The senior in charge.

So much for ten minutes in heaven.

"What's the deal?"

"The victim is a fifteen-year-old female missing since yesterday. I'm going to the police department. The techs are on their way to the family residence."

He gave me an address on Twenty-second Street, north of Montana Avenue, the Gillette Regent Square section of trendy Santa Monica. Kind of like the tenderloin of the filet mignon.

"Is that why we're all over this?" I asked. "High-profile neighborhood?"

"It's the 'new politics,'" he replied, which meant yes.

"We're sure about the kidnap? It's not just a runaway?"

"Mom and Dad got a call early this morning."

"Ransom?"

"The girl was pleading for her life. Then they hung up."

"Works for me."

"Just get over there."

I barreled down Temescal and took a quick detour south on PCH, swinging through a puddle at the entrance to Back on the Beach. The muddy water rooster-tailed up about ten feet, completely obscuring my windshield.

Andrew was not there to witness this dramatic arrival. His burgundy unmarked Ford was parked facing the ocean, empty, doors locked. The restaurant hadn't opened yet. Patio tables were glassy and jumping with rain, and I knew if I took one step onto the bike path my black heels would instantly become stained with saturated sand. So I waited on the asphalt under the umbrella while impertinent gusts blew at my knees and under my arms, wishing I had taken the time to blow-dry my hair, which had become uncomfortably damp in the sideways mist. I began to sneeze, that smug superiority cooling down fast, as a yellow county rescue truck, red lights pulsing, came north across the beach.

Where the hell was he?

Against the unsettled ocean and the bluster of the blue-white sky, I watched as the heavy truck pitched stubbornly over rises in the sand. Its slow progress seemed to make a statement about law enforcement: We shall override.

A pitiful thing to take for comfort.

The truck stopped past the restaurant, just out of my sight. I could hear the deep idle of the engine and feedback on a police scanner. I stepped onto the bike path. A hundred yards away I could see Detective Berringer in his trademark black motorcycle jacket, kneeling beside a bicyclist wearing bright regalia who had skidded out.

"Andrew!"

He waved me back, yakking it up with some lifeguards in fluorescent rain gear who were bringing out a spine board. Claps on the back, handshakes, long-lost pals. Now the wind was wrapping around my legs, and I could look forward to clammy panty hose the rest of the day.

Finally, he jogged over, brushing off his hands.

"What are you doing?"

"Waiting for you. Hi, doll," giving me a smooch. "See that paramedic? The tall, skinny guy? That's Hank Harris!" he said wonderingly.

"You know him?"

"I know his dad!" Andrew shook his head. "When you turn fifty, things get weird. That kid's supposed to be eight years old, playing Little League!"

"You're not fifty."

I never knew anyone to add to his age, but Andrew was several years ahead of himself in an apprehension he had about "getting old," which was ridiculous. He was adorable. Not perfect-looking (nose like a stumpy old carrot, not the tightest chin), but a rough-hewn charisma you would definitely pick out at a bar--dark wavy hair cut short and greenish eyes that could bully or tease; a face that could be a mask of detachment, then open up like a kid who just hit a home run. I believe this was the reason--an extraordinary ease with his own emotions--that Andrew was often picked by the department for public relations gigs. He was a seasoned street detective who apparently was not afraid to show what he felt. Therefore he would not likely be afraid of the deeply awful things that had happened to you. When Andrew gave workshops on bank security the female tellers would write down their phone numbers on deposit slips. He would call them back was my understanding.

That's how we met. Working the same bank robbery, dubbed "Mission Impossible" because the bandit came in through the roof. We don't always catch the bad guys, but we're great with the nicknames.

Andrew took the umbrella. I put my arm around his waist even though his jacket was cold and slick. We were walking as fast as possible, an inelegant pair, since I am five four and he was six one, outweighing me by a hundred pounds. He was built like a football player and cared about it. He owned a bench and read weight-lifting magazines.

"So what happened?" I asked of the bike wreck.

"I don't know why assholes go out in this weather."

"Because they're--"

"--The sand is all soggy, look at this, like riding in peanut butter."

The wind picked up. We ran for it.

"Come into my office." Unlocking his car. "Normally we don't let Feds in here. But I have something special for you."

"I have to go."

"So do I."

But we paused, very close, under the umbrella.

"I'm crazy about you, you know that," he said.

"Yeah, well, you drive me crazy. Is that the same thing?"

The rain drummed on our makeshift roof. In the frank light our faces were eager, ruddy, his high round cheeks shining like a choirboy's. In those days it lifted me to be with him. It just lifted me, like a kite off the ground that wants to return to the same spot in the sky.

His eyes half closed and I rose up and he leaned down to kiss me and we did and the umbrella tipped and rain went down our necks.

"Fuck this shit," he said, fumbling for his keys.

"I have to get out of here. You know about the kidnapping?"

"Let me see. Do I work robbery/homicide, or is it Hal's Auto Body?"

I laughed. "Sometimes a toss-up, huh?"

"I've been at the house since four this morning!"

"You have?"

"First it was a critical missing, then they got the call around three."

"How are the parents?"

He shrugged. "Distraught. The girl never came home from school. They contacted her friends. Nothing."

"'Not like their daughter not to let them know where she was,'" I guessed.

"Not like their daughter," he agreed.

Our few words implied a complicated professional speculation about who these people were and how the girl had disappeared.

"So what were you doing there?"

"I caught the case."

"It's your case? It's my case, too!"

He snorted indulgently as he often did when I would say things that showed I was missing the precision of what was happening.

"What the hell did you think that page was all about?"

"There were . . . other possibilities."

He tried to get past a smile. Code 3-ER-AB. A supply closet in a certain hospital emergency room. Code 3-RVM-AB. The Ranch View Motel.

"I was giving you a heads-up, in case it worked out."

"I guess it did."

But I wasn't so sure.

"Get in the car, I've got more."

"Is this a good idea?"

Teasing. "To get in the car, or to work together?"

Right then I didn't like it.

"Andrew, how are we going to do this?"

"What do you mean, how?" He was hurt. "I thought it would be good for you at the Bureau. I thought you would get a kick out of it."

"I did. I do. It's very cool."

I smiled and touched his hand, pushed up his sleeve to look at his watch. A kidnapping is a federal crime. The FBI has jurisdiction over the local police. He had to know I would be his boss.

"We better get over there."

I had become aware of sirens. They might have called an ambulance for the fellow with the bike. Or maybe it was another wreck. Suddenly the light was hurting my eyes, hard off the ocean, steely blue. It was going to be one of those sickening days when the sun comes out after all.

Booklist

Ten years ago, Smith's debut thriller starring iconoclastic FBI agent Ana Grey, North of Montana, earned raves from a range of critics and writers, including Robert B. Parker, Scott Turow, and James Ellroy. Now, after a considerable hiatus, Grey is back, still a maverick FBI agent. This time, though, her credentials as a free spirit seem to hinge mainly on her willingness to rendezvous with her street-cop lover whenever he pages her for sexual trysts that get old fast. When not trysting, Grey and lover, Detective Andrew Berringer, are working on the same case, which involves the kidnapping of a teenage girl from her Santa Monica home. (The FBI is called in as part of the "new politics" of response to diverse communities, especially, as Grey sardonically observes, to the wealthier communities.) The girl from the seemingly perfect home is found to have brittle, bizarre parents, as well as friends who use her as a gopher for drugs. Grey's tough exterior breaks when the girl is returned, raped and brutalized, and a series of brutal rapes follows. North to Montana created lots of Ana Grey fans, and most of them will want to see what she's up to here.

People

Reviewed by Rob Taub
     You have to love Ana Grey. She is smart, loves sex, cruises around in a 1970 Plymouth Barracuda convertible and, as an FBI agent, solves kidnapping cases. When 15 year-old Juliana Meyer-Murphy is abducted, Ana and her boyfriend, Santa Monica police detective Andrew Berringer, work the case together. After Juliana turns up raped and beaten, Ana forges and emotional bond with her that grows as Ana becomes obsessed with catching the girl's attacker, a serial rapist. But soon Ana herself will be charged with attempted murder after a shooting.
     In her third novel, Smith, a former writer for such shows as Cagney & Lacey, provides all the elements of a great mystery: pointed dialogue, vivid characters and a rocket-propelled narrative. Ana Grey is so real it feels as though you are sitting next to her in her muscle car. You won't be able to stop rooting for her -- or stop reading.
BOTTOM LINE: Oh, what a beautiful morning.

PUBLISHERS WEEKLY

At the start of Smith’s superb third thriller to feature Ana Grey (after 2003’s Good Morning, Killer), the FBI special agent, who’s still recovering from post-traumatic stress disorder after shooting “a crazed detective on a suicide mission” seven months earlier, learns that the skeletal remains of her missing onetime fiancé, fellow special agent Steve Crawford, have turned up in Oregon’s Cascade Mountains. Ana later finds out Steve was murdered by members of an anarchist group with a penchant for homemade bombs. After training at the FBI’s undercover school, Ana uses an alias to penetrate the group, which includes a former FBI agent gone bad, Dan Stone. As “Allfather” Stone plots a terrorist act he calls “the Big One,” Ana must burrow through layers of paranoia to discover the precise threat the FBI is dealing with. Ana’s nuanced and coolly observational narrative voice perfectly complements the well-paced action, which builds to a satisfying conclusion that leaves open the next chapter of Ana’s story.

New York Times

Book Review Desk
By Marilyn Stasio
     April Smith, who wasn't shy about breaking genre conventions in her first crime novel, ''North of Montana,'' puts her foot through more windows in GOOD MORNING, KILLER (Knopf, $24). This kidnapping thriller starts off like most kidnapping thrillers, with the abduction of a pampered teenager, 15-year-old Juliana Meyer-Murphy, that has the local cops running around in circles. But we know we're in uncharted territory here when Juliana returns home, raped, battered and deeply traumatized, and Ana Grey, the F.B.I. agent assigned to the case, is so distressed by the girl's condition that she ignores procedures and starts acting on impulse. Even more dangerous, the unstrung agent becomes obsessed with her cheating lover, a charismatic Santa Monica cop who draws women like flies to carrion, stalking him, harassing him and finally taking a couple of shots at him.
     Although Ana is not your conventional heroine, with her unbridled passions and addiction to ''the pure oxygen of risk, of going over the edge,'' it's hard to peel your eyes from her -- especially when she persists in pursuing Juliana's attacker while standing trial for attempted murder. A risk taker herself, Smith writes in the forceful style of a true literary maverick, someone who has earned the right to break a few rules.
©The New York Times 2003